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Where Have All the Really Big 1080p TVs Gone?
Remember a few years back when the trend in the TV market was to offer really big screens at more affordable prices? Sharp kind of kicked it off in an effort to help reinvigorate the company's TV sales, offering 70- to 90-inch screen sizes at much lower price points than we had previously seen. Many of our readers seemed pretty enthused by this particular trend, but it quickly lost steam. What happened?
Ultra HD happened. In terms of TV pricing, the race to the bottom has run its course; right now, manufacturers are now looking for reasons to charge more for their televisions, not less. Ironically, we're actually seeing a greater number of 70-inch-plus TVs hit the market, but the vast majority of them fall at the top end of the price spectrum. Ultra HD benefits from the larger screen size, so most of the major manufacturers have embraced at least a 75- to 80-inch screen, some even larger, in their 2015 UHD lines. To get a new 75-inch-plus UHD TV from the likes of Sony, Samsung, or LG will run you $6,000 or more (in some cases, a lot more). And forget about those 105- or 110-inch TVs that these companies like to show off at trade shows--unless you've got $100,000 burning a hole in your pocket.
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Panasonic goes step further with 4K Pro
The Ultra HD resolution is more than just pixel count little, so they also realize at Panasonic. The 4K Pro technology to improve an image with ultra-high resolution and Ultra HD so bring a new level.
Panasonic goes step further with 4K Pro
Panasonic 4K is more than just counting pixels and therefore comes with the term "4K Pro ', which should go a step further by using various image enhancement techniques than just a 3840 x 2160 resolution.
The Ultra HD Resolution is enhanced by various techniques: 4K Studiomaster Processor This chipset should provide a better processing of the images. Panasonic did before relying on his professional AV company Panasonic Hollywood Laboratory and plasma division. Better color, contrast and brightness should be the result. This new processor will also native High Dynamic Range images can support.
Accurate Colour Drive The name says it all: this technique should provide true colors. Through a 3D Lookup Table 'colors are more or less connected to each other and makes a change from one color input also for a change in the other output colors. In other words, the television operates more in hues and should thereby provide a more accurate and natural result of different levels of brightness.
Black Gradation Drive : This causes the backlight control and the 'gain' of the screen within the same processing system get trapped. This allows the light distribution to be better and be more visible detail in the shadows.
Wide Colour Phosphor screens : These new screens are specifically tailored to the 4K Studiomaster Processor and must display more colors go as you see them in the cinema. Nice touch: These screens are very economical and use about half the electricity used by a traditional Quantum Dot-screen to get the same brightness levels.
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Tuesday's TV Highlights: 'Troy: Street Magic" on Syfy'
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Now that 'Mad Men' has changed the TV landscape, what does it all mean?
High school AP classes may be churning out theories about the green light at the end of Daisy's pier or Andy Warhol's tomato soup cans, but the most popularly deconstructed symbol in and of American culture these days is "Mad Men's" falling guy.
As AMC's first scripted drama heads toward its May 17 finale, critics, bloggers and fans have been hotly debating the meaning and relevance of its opening credits, in which a black silhouette of a man slowly falls through an ad-laden cityscape. When the series premiered in 2007, some expressed concern over the possible evocation of 9/11; now many wonder if it foreshadows Don Draper's (Jon Hamm) suicide by defenestration. Or is it evocative of a more spiritual/emotional descent, a suggestion of despair, enlightened surrender or the inability to control one's own life?
"Mad Men" has most certainly been about reinvention on a personal and cultural level. But will it turn out that all has been in vain? Has Don simply been falling through the years and all the changes they have wrought? Have we all?
If you think this is a bit much, a bit fevered and fraught for a television show, especially one that many feel is currently not quite up to the (extremely high) standards of earlier seasons, then you haven't been paying much attention — to "Mad Men" or to television in general.
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How TV's age of exploration put viewers in control
Here are a few things that did not exist in American television 10 years ago:
Binge-watching; recapping; scripted series on networks devoted to old movies, science and history; zombies; streaming services; popular series that end just because the story is done; film-franchise adjacency; shows that begin as miniseries and then continue indefinitely; multiplatform viewing; two concurrent versions of Sherlock Holmes; A-list film directors; television shows devoted to talking about television shows; live tweeting; micro-audiences; immediate remakes of British series; any remakes of European series; European series; subtitles; cord-cutting; horrific violence; series in which the cast stays the same but the story changes; series in which the title stays the same but the story and cast change; really good computer graphics; comedies more dark than funny; amazing international locations; an overabundance of stories characterizing the many ways in which television has changed in the past 10 years.
Here's the most important thing that did not exist in the television universe 10 years ago: ownership.
Technically, the citizens of these United States have always been the proprietors of the airwaves over which television was broadcast, but it didn't feel that way. We watched what the network executives offered us when they offered it. Good television was like good weather, fleet and ephemeral; you enjoyed it while it lasted. Maybe you watched it again in reruns while you were sick or sad or trying to get ahead on the ironing.
Sure, PBS geeks and HBO fans might buy the boxed sets of "Pride and Prejudice" or "The Sopranos," but for most people, television was something you did, not something you possessed.
Now, of course, TV is controllable, portable and permanent.
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Rock in Rio USA is a ball of confusion
Who in their right minds would get married during the debut of a Las Vegas music festival? A few couples took the leap at Rock in Rio USA.
The extravaganza closed the first of two weekends Saturday night on a plot of undeveloped real estate next to Circus Circus at the far end of the Vegas strip. On one piece of asphalt, a heart-shaped stage served as chapel. To absolutely no one's surprise, an Elvis impersonator provided accompaniment.
That's quite the gamble. What if this Brazilian-produced festival, an offshoot of the massive 10-day Rio de Janeiro event, doesn't gain traction? Are the vows still enforceable?
If so, in future decades, how will Grandma recall the many oddities of that weekend? Those nuptials featured a hip-hop dance troupe acting out the lyrics to "Smells Like Teen Spirit," after all, and a Beatles cover act that did a big-band version of "Blackbird." Explain that. What's at all romantic about James Hetfield of Metallica serenading newlyweds with "Master of Puppets"? The part about "just call my name, 'cause I'll hear you scream"?
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Pop music study proves hip-hop's influence; fans totally not surprised
Of all the things suggested by Royal Society Open Science's massive study of Billboard Hot 100 hits, hip-hop's revolutionary qualities shoudn't have been so surprising.
No one questions the genre's radical sense of identity that came from taking elements from dance, graffiti, and vocal storytelling from marginalized worlds to make something wholly orginal out of separate parts.
But the musicality of hip-hop - the way melodic samples of existing music are chosen and manipulated, the way funk breakbeats are chopped up and slowed down to create an entirely new approach to rhythm and bass -- was entirely new to popular music. And for all the inherent weirdness of attempting to quantify popular culture through this study, it's good to see that innovation acknowledged here.
For all of pop music's lionization of rock 'n' roll and the British Invasion as the defining musical revolution of the late 20th century, bands like the Beatles and Stones were openly elaborating on the ideas of acts like Howlin Wolf, Chuck Berry, Muddy Waters, Phil Spector and Motown. The music got more sonically innovative as careers went on, but it's no knock to say that each of those bands got started by putting an attractive new spin on covers from R&B, rock and blues artists they admired.
Hip-hop (and, to a lesser extent in this study, electronic pop), really was something unprecedented. Even though the genre is built on stock electronic instruments like drum machines and samples of other artists' recorded material, that concept in itself was a measurably new idea that opened up a whole range of never-before-heard musicality. Guitarists and drummers could find their own style, but they were always limited by the structures of their instrument. Hip-hop production turned that inside out, and rebuilt the palette of pop composition by mining its own history.
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Alternatives to Windows Media Center (Make your own Home Theater PC)
Want to turn your PC into a digital video recorder and media center box? For more than a decade Microsoft has made that by offering Windows Media Center. But when Windows 10 ships in the summer of 2015 it won’t include Media Center.
The good news is that there are still some good options available for Home Theater PC (HTPC) enthusiasts.
The bad news is that some of the best alternatives were killed long before Windows Media Center:
Google acquired SageTV a few years ago and stopped selling that company’s DVR and media center software (although an open source version may be on the way).
Snapstream ceased development of BeyondTV and stopped selling the commercial version of its digital video recorder software to focus on the enterprise market.
If you want to retain all the functionality of Windows Media Center, Microsoft says your best option is not to upgrade to Windows 10. The company will continue to offer support for Windows 7 through January, 2020 and for Windows 8 Pro through January, 2023.
And if you’re using Windows Media Center with a CableCard to record encrypted broadcasts from your cable TV provider, that really is probably your best bet.
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Brother killed in street race against sibling in San Bernardino
A late-night street race between two brothers turned deadly Wednesday when one of them lost control of his vehicle and crashed into another vehicle, killing himself and seriously injuring three people.
The brothers were racing east on the open, straight mile-long stretch of Highland Avenue about 10 p.m. when the pace of competition quickly changed.
One of the brothers lost control of his 1992 Mitsubishi GT 3000, causing it to slide head-on into a Toyota Corolla traveling west, said Lt. Rich Lawhead, spokesman for the San Bernardino Police Department.
I can’t imagine… what it feels like,” he said of the surviving brother.
The San Bernardino County coroner’s office later identified the dead brother as 19-year-old Mark Anthony Jimenez.
The driver and passengers inside the Toyota were not racing and just happened to be driving through the area at the time, he said.
They suffered major injuries, and one had undergone several surgeries, Lawhead said.
Police tried to talk to Jimenez’s brother, but he declined to give a statement. The brother was not arrested. Read more..
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Stagecoach 2015: Deaf music fans want to have fun too
Should all the fun of experiencing live concerts and music festivals such as Stagecoach and Coachella be reserved only for fans who can hear?
Tracy Halmgean says no, and that’s when she goes to work. For the last seven years she's been coordinating sign language interpreters for both festivals under contract with festival promoter Goldenvoice.
"The music is just one part of all that goes on at a festival or a concert," said Halmgean on Sunday during a lull before a couple of the interpreters she lined up for the weekend — Sara Groves and Jimmy Granger — were going to get busy signing at the Mane stage for three of the biggest shows of the day: Sara Evans, the Band Perry and headliner Blake Shelton.
People who are deaf or hard of hearing, she noted, also enjoy traveling, mingling with others in the desert, availing themselves of food and merchandise booths and the social networking aspects of the live music experience. The only element they can't access as easily as anyone else is what's being played and sung from the various stages.
It takes a sign language interpreter with a special set of skills to put music across to those who can't hear it. Unlike interpreting for students in a classroom, for patients in their doctor’s office or clients in a business meeting, working at a music performance becomes equal parts the technical job of getting words and phrases across and physical performance.
Halmgean said interpreters who are passionate about music — as she is — bring that passion to bear in their unusual line of work.
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